“What is it about us?” “What is it?” They say “What is it?” a few more times, and Michael Moore shrugs his shoulders as the father says, ‘I don’t know.”. He didn’t use guns. Bowling for columbine 1. And the slaves got no money for their work, and America became rich. Moore’s voice-over: You know, the thing I love about this country of mine is that whether you’re a psychotic killer or running for President of the United States (the Willie Horton add in 1988), the one thing you can always count on is white America’s fear of the black man. 24. Then he talks to a few people who tell him how easy it would be to buy a gun in Canada. Das Hauptthema des Films ist der US Waffenhandel im Zeitraum von … Cut to an hour later and the camera is back on and here comes the director of media relations to talk to Michael Moore. Let’s work something out.’ Where the States is just ‘We’ll kill you—and that’ll be the end of that.” Back to the guy who is shown riding in the front seat of a car. A photograph of the teenaged Michael Moore holding up his marksman award trophy from the National Rifle Association. They show off the scars from the bullets. 15. After viewing Bowling for Columbine , I was shocked. “I was shot with a Tech-9. Cut to a shot of the Littleton exit sign. For this reason , it is best to define BFC using Grierson’s definition of the documentary as a “creative treatment of actuality”. “To be blunt, Mark has a K-Mart bullet an inch away from his aorta.” Then an urgency sets into his voice: “I told them that somebody here would listen—would take their request seriously. 7. She says she will take the message to the CEO and then asks for Michael Moore’s business card. It is best suited to this definition because rather than record actual events as an unobtrusive filmmaker, Moore attempts to anchor meaning through his careful construction of the text. HD. Bowling for Columbine The security consultant agrees with that idea. Other honors are sure to follow. In the case of BFC these purposes may well be to entertain, persuade or make money but they are not attempting to make a balanced documentary. him . He introduces the two young men. 29. During the opening, archive footage is presented that claims the movie is presented by the National Rifle Association (NRA). Dozens were wounded. "BOWLING FOR COLUMBINE ist der bedeutendste und vielschichtigste Film, der bisher zum paranoiden Verhältnis der Amerikaner zu Waffen gedreht wurde. But after 200 years of slavery, the white people became afraid of the black people. “Not very social.” When they bowled, one of the girls says they were crazy—they just threw the ball down the lane. Cut to first-person camera, as someone gets out of a car and we hear, “You ready?” “You go.” Suddenly we are off—in blinding white light-until the camera reaches the doorway of K-Mart headquarters in Troy, Michigan. Predominantly the interactive/reflexive is used throughout mode due to the fact that the audience is able to acknowledge the presence of Moore and the crew throughout many of the scenes, as MM attempts to persuade us of his views. Moore’s voice-over: On the morning of the shooting, it only took the helicopters and satellite trucks a half hour to show up on the scene. BFC is best suited to the cinematic form, predominantly due to its feature length, which is over 2 hours and also because this allows total audience immersion in the subject matter. This is achieved through many means but primarily his attempt to convey Canada as a safe and pleasant place juxtaposed with representations of America, which suggest a dangerous and insane country packed full of gun totting maniacs. We return to the mayor of Sarnia, who talks about the importance of social programs. He puts his hand on her back and begins to rub it, repeating, “That’s okay.” Then he sobs, “I’m sorry!”, 39. Michael Moore's view on what happened to the United States after September 11; and how the Bush Administration allegedly used the tragic event to push forward its agenda for unjust wars in Afghanistan and Iraq. (The boy had seen drawings of the man’s children already on the wall.) We see clips of some students’ videos at Columbine—with students saying inane things to be cool on camera. 2. Heston, one more thing.” Heston turns around. The old man swings his arms awkwardly at his side, and he walks with a permanent stoop. No! 44. Manson on camera in his dressing room. Nothing. Is it our Western tradition of clearing the land and destroying indigenous people? I, for one, plan to do my part.”, 19. Another montage: of various “experts”—each of whom has the answer: the heavy-metal subculture, parents, violent movies, South Park cartoons, video games, television, entertainment, Satan, cartoons, society, toy guns, drugs, shock rocker Marilyn Manson—and then six times “Marilyn Manson.”, 22. Now Mary is conspiring with two other executives—off to the side—and then Moore announces that two hours later she came back down with the merchandiser—the guy who buys the bullets for K-Mart. “He was a nice guy.” He admits he had all sorts of explosives-related material on the farm—but stuff that any farmer would have around. 1988 98m Movie. “This is Michael Moore, the filmmaker?” Heston acknowledges him. "Bowling for Columbine" ist sicherlich einer der brillantesten und intelligentesten Dokumentarfilme aller Zeiten. “I guess it was kind of an ego thing to know that I was number 1 on something in Oscoda, even if it was t he bomb threat list.”, 9. Moore’s voice-over: The killers listened to Marilyn Manson. “Mr. “Yup. “Those people—law enforcment, if you want to call them that, were here and were shaking in their shoes—scared to death—because they thought this was going to another Waco.” He rants on and on, accusing his ex-wife at one point of plotting against him. Now that Heston has gone into his house, Moore walks over to a spot near the entrance of the house and places the little girl’s picture Pagainst a column—that way, Heston will have to look at her sometime. When Bowling for Columbine was shown at the Cannes Film Festival in May 2002, the audience gave Moore a standing ovation that lasted 13 minutes. The Bowling for Columbine DVD has an enthusiastic commentary track by Moore's former receptionists and interns. Some of that may have root in their anger about various issues.” So, as a good public relations man would do, he praises his company’s $100,000 bequest to anger management programs in the area. Finally, t he kid says, “I was a troubled kid. So why keep loaded guns at all? Then another seven quick shots of Moore chasing him, pushing him up against a car, and then dropping him face down on the sidewalk—the tough cop taking care of the white-collar criminal! Moore begins a long voice-over. “I wish I could put two parents in every home, and make them equally responsible—but you can’t do that!” Cut to a bus that is driving through streets early in the morning. 1 Sein Film beleuchtet die Waffentradition der Amerikaner und dessen Ursprung sowie untersucht die Frage, wer Schuld an der amerikanischen … 8:30 the next morning. a montage of actuality footage of the US state’s violent history in international relations over a soundtrack of Louis Armstrong’s ‘What a Wonderful World’ a “South Park”-style animated history of the USA. Moore’s voice-over: I grew up in Michigan, a gun lover’s paradise—and so did this man—Charlton Heston. This is Sarnia, Canada, population 73,000. “He left before I got here.” One of his friends knew Eric. “This is who she is—or was.” Moore holds up a photograph of the dead six-year-old. A young Caucasian woman stands outside a typical suburban townhouse (small trees to the side, green lawns), and talks about how good life is in this city. He has fond memories of growing up in Littleton. One of the employees of the Grill refers to Clark’s trademark line: “Music is the soundtrack of your life.” Moore notes in voice-over that Clark applied for special tax breaks by hiring welfare-to-work clientele. “I believe you,” Moore says. This gives off the impression that all the crimes that happen in America disgust other countries but America its self is used to them and doesn’t show much interest. Suddenly we are inside, and there is Richard in his wheelchair. At the U.S. Air Force Academy, south of Littleton, we see a shell of a B-52 bomber as a memorial to the North Vietnamese people it killed on Christmas Eve, 1972. He finds two people in bars and asks them if they lock their doors. Cut to a stiff-on-camera shot of a Michigan State Trooper telling the story of the hunters who dressed up the dog with the rifle sling. 25. Music up and the title sequence. “Start tonight,” Moore encourages him. Michael Moore expresses disbelief. Well, okay, the thing is, I have a thing called The Anarchist’s Cookbook.” “You never made a bomb yourself?” “I’ve made ‘em! . Moore mentions Gandhi. Heston walks away, and this time he does not turn around. I feel bad for them, because that’s all they see.” Camera pans right inside the van and shows a small photograph of the little girl taped there. “I can’t keep selling guns. Keep everyone afraid, and they’ll consume.” Michael Moore asks, “What would you say to the kids of Columbine.” Manson answers, “I wouldn’t say a single thing. This already shocking and tragic event is emphasised by the effects used in this scene. Moore asks him to repeat his answer. Anything that smacked of violence was fair game. Of course, he’s been down this road before—in Roger and Me. R | 2h | Documentary, Crime, Drama | 15 November 2002 (USA) 2:07 | Trailer. Then Michael Moore’s voice-over continues, as we see images of Rocky Flats, where weapons-grade plutonium was manufactured—now a vast toxic waste dump. ( Log Out / I represent what everyone’s afraid of. Moore also mentions the man who murdered his wife and then blamed a black man for doing it. 2018 90m Movie. We drove the one parent out!” Back to the bus we go—and Moore interviews two of the riders. As we left the building, Mark came up with an idea: go to the nearest K-Mart and buy out all their bullets. Obviously, an ironic statement! Back to the quick interview with the employee. While trying to get the argument across, Moore opens an … Bowling for Columbine: Die Dokumentation beleuchtet kritisch die Waffenfreiheit in Amerika sowie die dahinterstehende Lobby. “They’re not making it up. Kostenlose Lieferung für viele Artikel! As this unfolds, the acoustic guitar plays with increasing urgency, and the aural montage continues—and then adds the voice of Eric Harris’ father, who refers to his son as being in the “trench-coat mafia.” Then the aural montage ends, the acoustic guitar swells, and Michael Moore adds his voice-over as we shots of people grieving, blood spattered floors, furniture scattered everywhere. Suddenly a graphic on the screen: “Nichols has cocked the gun and put it to his temple.” Moore says, “Don’t do that!” Nichols laughs. Shot of the palm trees and wide avenues of Los Angeles. “Half my neighborhood works out here in the mall.” He gets $3 more per hour. He makes the point that white America in their suburbs live in fear of some kind of invasion of savage hordes (as we see racist images of African Americans). Bowling for Columbine is a documentary about how guns are a bad influence and pollute the mind, rather than supplying safety, which is the real reason behind the possession of a gun being legalised. 4/10. He shrugs his shoulders. And where, in the end, it all comes back to 'Bowling for Columbine'. “There is something about that kind of viciousness, that kind of predatory action, that kind of indiscriminate killing”. It’s going to make you feel better about it.” Cut to a protester (Christian conservative, I presume), who speaks to a protest crowd. Was this review helpful to you? This is evidenced through his clever use of editing in the bank scene, intended to look like it was unfolding in real time as he MM enters the bank as an assuming customer. Am 20. Nineteen black men are shown, one right after the other. The four men walk down a country road into the darkness, and Michael Moore walks behind them, his hands in his pocket. The fact that Moore had internal control of the film, as it is produced by Dog Eat Dog Films which is MM’s own company, it meant that MM has right of final cut. “But the mother of the kid works at Dick Clark’s Grill—” and Clark cuts him off. This is her—please don’t leave! Moore believes that there is one main reason for this, the fact that there are relaxed gun laws in America. Why not do it his way. The fact that the woman who phoned was African American breaks certain stereotypes as black people are portrayed to be the ones in America who cause crime but her it is the black woman who is panicked showing she is the same as everyone else in this situation. 23. He recalls the pressure put on him when he was in 6th-grade math. Written by Then a smooth transition to old 8-mm home movies of Michael Moore at the age of 6—there he is with “my first gun!” Moore’s voice-over: I couldn’t wait to get out and shoot up the neighborhood. Durch eine einzigartige Collage aus Interviews, Realaufnahmen des Columbine-Amoklaufs, historischen Aufnahmen und Zeichentrick gelingt ein sowohl unterhaltsamer als auch aufwühlender Film. Wenn ich mir dabei überlege, dass praktisch hier jeder in unserer Gegend eine Knarre im Haus hat. Yes, thank you! “Is it loaded?” We can’t see Nichols. “We hope to help those students alternative way to deal with anger.” Michael Moore has another tack. One man has been riding the bus for three years. Someone at the central kiosk tells them to shut the camera off. . Fratze. Turns out it’s James Nichols, brother of Terry Nichols—who with Timothy McVeigh, the Oklahoma City bomber. SD. ‘Don’t come here. 46. Heston. Whatever is causing the problem, the U.S. is on the leading edge of the curve, but other countries are catching up.That said, I give Moore credit for provoking conversation, for his humour (in spots). His lack of balance doesn't concern me. One. Then Heston is on camera again, this time answering a local reporter’s question about why the NRA came to Flint. Moore’s voice-over: Just as he had done after the Columbine shooting, Charlton Heston showed up in Flint to have a big pro-gun rally. They employ over 5,000 people—many of whom have children who go to Columbine. Refreshing, but exasperating too Most of the bullets were bought at the local K-Mart. BOWLING FOR COLUMBINE This GUIDE can be used in various ways: 1. The wild eyed stare we are shown through a close up clearly connotes to the audience how out of touch with reality this man is as he discusses whether or not the right to bare arms extends to the personal use of weapons grade plutonium. The two students killed twelve fellow students and a teacher. And their politicians seem to talk kinda funny. We believe that the argument for Bowling for Columbine is that gun control in the United States is the major problem that the country faces. “When I was growing up, music was the escape. Michael Moore’s voice-over. They rated Bowling for Columbine as an R for some violent images and language. Michael Moore walks along a sunny street, a lovely boulevard, with another man. Well, I’m afraid we don’t agree on that.” He stands up from the director’s chair he was sitting in. But that’s about all I have to say.”. Here are Amanda and Nicole, both of whom went to Columbine. As archival footage comes up of young women bowling, and falling. They are interviewed, and shown through long shots, in full military uniform; a cultural code with clear connotations for the audience of efficiency and professionalism. Where does the state benefit? A new American says, “I loves my gun!” Here comes slavery. Flint was now home to a new record—the youngest school shooting ever in the United States. This is evidenced through his clever use of editing in the bank scene, intended to look like it was unfolding in real time as he MM enters the bank as an assuming customer. Next shot is Moore walking up to a locked gate, the estate of Charlton Heston. Michael Moore’s voice-over introduces the young man, and another young man—his buddy. Then he goes on to wonder about all the people in other countries—they go bowling, they listen to rock music, they watch violent movies, play violent video games, etc. After General Motors closes its factory in Flint, Michigan, eliminating 35,000 jobs, filmmaker Michael Moore undertakes a quixotic quest to interview General Motors' chairman, Roger B. Smith. ( Log Out / That was the only thing that had no judgments. Michael Moore’s Bowling For Columbine (BFC) is a media text that explores America’s obsession with guns and raises questions about the potential reasons as to why they have a different relationship with them over other cultures that share similar violent pasts. The bank proudly announces that is a licensed firearm dealer and they have over 500 guns in their vault. So now we go outside, with all the cameras rolling. Bowling for Columbine: Oral Commentary Bowling for Columbine is a film by Michael Moore about the shooting at Columbine High School. 49. But the pollution all around them is a greater danger than being attacked by black men. Since its release in late October, it has broken the record held by. 36. Stone notes that Columbine was a “crappy school.” Moore’s voice-over explains that they two created a cartoon, not carnage. “But does everybody who watches a Lexus ad go out and buy a Lexus? “We have work to do, hearts to heal, evil to defeat, and a country to unite. Moore asks them all the gun murders in America. The gate swings open, and to the music of the Mr. Rogers’ Neighborhood Theme, the burly Moore saunters past the gate. The other man is Prof. Barry Glassner, author of The Culture of Fear. But it was too late—the Civil War was over, and the slaves were free. Bowling for Columbine jetzt legal streamen. In April, 1995, two guys who lived in Michigan, and who had participated in the Michigan Militia training, blew up the Federal Building in Oklahoma City and killed 168 people. Later, we see this same reporter sitting on the edge of the remote van while an editor cuts his spot. A six year old getting shot should never be ‘just a regular day’ anywhere. Now he really gets wound up. A mother-figure on camera talks calmly about the need for a “well-enforced dress code.” As she talks, we see a kid empty his pants of several weapons, including a shotgun. “Are we homicidal in nature?” Of course, Moore plays devil’s advocate—bringing up British soccer riots. Note the gun rack on the side of the wall—with three guns in the rack.” Then he sits across from the teller and is told “which we are a licensed firearms dealer.” He acts dumb, asks how to spell Caucasian, and gets the woman to say, “I don’t think that’s the part they’re going to be worried about.” Then a discussion of being “adjudicated mentally defective.” “So if I’m just normally mentally defective but not criminal—“ Now he has his shotgun, and the man next to him makes some typical manly statements about how sweet the gun is. James Nichols, der in "Bowling for Columbine" von Michael Moore interviewt wird, hat jetzt gegen den Oscar-Gewinner Klage erhoben. Bowling for Columbine Hochschule Universität Lüneburg Note 2,0 Autor Janine Kempin (Autor) Jahr 2004 Seiten 25 Katalognummer V42592 ISBN (eBook) 9783638405904 Dateigröße 643 KB Sprache Deutsch Anmerkungen Es wird auf verschiedenen theoretischen Konzepten das Aggressionsverhalten von Kindern und Jugendlichen dargestellt. He reaches down and pushes a white button. Is it poverty? Then they killed the British in the Revolutionary War. of Minnesota “That blows my mind!” he says, as the students, and two production assistants, look on. Why do 11,000 people die in America each year at the hands of gun violence? And you wish someone could have grabbed them and said, ‘High school is not the end—’ ” Michael Moore cuts him off by noting that both kids were going to graduate in 2 months. Bowling for Columbine homework! The forces the viewer to focus on what is being said more carefully as it is all that can be seen or heard. The four men tell him what sorts of guns they have in their homes. The rockets are transported in the middle of the night, while the children of Columbine are asleep. Bowling for Columbine is a good documentary that raises important questions. Season for Love. As you watch the film, please make notes about the following questions as well as any other interesting information that you find important in the film. 51. The United States of America is notorious for its astronomical number of people killed by firearms for a developed nation without a civil war. Up comes the closing credits music—What a Wonderful World, as sung in a restrained heavy metal version by Joey Romano. Bowling for Columbine - review This documentary was clearly a journey of discovery for Moore himself, who makes no bones about not having the answers. “You think it’s okay to just come and show up at these events—“ His eyes follow Heston as the man walks in front of him. Moore’s voice-over: There were no Canadians shooting other Canadians. 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