But, the story doesn't actually matter as much as the fact that the movie stars Vincent Price. While visiting the museum, Florence notices an uncanny resemblance between a wax figure of Joan of Arc and the dead model. A 35 mm nitrate copy of Reel 1, the "lab reference" reel (Reel 1 with the fire sequence), was still held by Technicolor-Hollywood in the 1960s and screened by historian Rudy Behlmer; today, that reel is not in the Technicolor Collection of the Academy Film Archive and is presumed to have decomposed decades ago. It also effectively used the special Warner Color process. The Warner Bros. film reunited legendary director Michael Curtiz with his Doctor X (1932) cinematographer Ray Rennahan, a master in the art and technique of early color film, and actors Lionel Atwill and Fay Wray. Ingel Soong. 108 Related Articles [filter] Lionel Atwill. However, one problem which came up a lot was the lack of connection to the original House of Wax (1953), which itself was a remake of Mystery of the Wax Museum (1933). The actors were also falling down. We partnered with Roundabout Entertainment on the picture clean-up and grading; they digitally cleaned the damage and made major repairs and full color correction, as dye transfer prints frequently don’t match across reels. Released in 1933, Mystery of the Wax Museum follows a sculptor/curator of a wax museum who, after the museum burns down in a fire, sets out for revenge. The Archive is renowned for its pioneering efforts to rescue, preserve and showcase moving image media. Mystery of the wax museum [UK-Import] [VHS]: Lionel Atwill, Fay Wray, Glenda Farrell, Frank McHugh, Allen Vincent, Gavin Gordon, Edwin Maxwell, Holmes Herbert, Claude King, Arthur Edmund Carewe, Thomas E. Jackson, DeWitt Jennings, Ray Rennahan, Michael Curtiz, George Amy, Lionel Atwill, Fay Wray, Hal B. Wallis, Henry Blanke, Carl Erickson, Charles Belden, Don Mullaly: Amazon.de: VHS . It was clear that the Jack Warner print had been cobbled together from a variety of prints with different color balances. The nitrate print screened at Graumann's Chinese Theatre in the early summer, then again at Alice Tully Hall in the 8th New York Film Festival on September 26, 1970, at 4:00 pm, as part of a retrospective, Medium Rare 1927-1933, of films not seen since their first release. Mystery of the Wax Museum was never reissued domestically, however, it was reissued in Franco's Spain in 1940. Directed by Michael Curtiz. Halloween-O-Meter: Mystery of the Wax Museum (1933), House of Wax (1953), and House of Wax (2005) – 3-in-1 review. Twelve years later in New York City, Igor, who survived the fire, reemerges and opens a new wax museum. The museum … Also, I think there is something extra creepy about lifeless wax faces with their dead eyes. Overview - Once considered a lost film, Mystery of the Wax Museum has not only been found but also meticulously and gloriously restored to its original two-color Technicolor splendor by the UCLA Film and Television Archive and The Film Foundation.Director Michael Curtiz's 1933 mix of ghoulish horror and romantic comedy (spiked with a few iconic Fay Wray screams) looks as lifelike as a … Mystery of the Wax Museum is a film about a wax museum, whereas House of Wax is a film about a sculptor gone mad. We used a 1933 nitrate print that was discovered around 1969 in Jack Warner’s vault at Warner Bros. A second nitrate copy was found in the 2000s by a collector and is now in the Packard Humanities Institute collection. Now a classic, Wax Museum was believed to be lost for decades until an original nitrate print was located in the collection of studio mogul Jack Warner. Feared to be lost for many years, MYSTERY OF THE WAX MUSEUM gained a mighty reputation when film historians' memories of the movie were jogged by the 1953 3-D remake, HOUSE OF WAX… At the same time, Igor spots Charlotte and remarks on her resemblance to his sculpture of Marie Antoinette. Be the first one to write a … The horror film House of Wax (2005) was also credited as being based on the 1953 film and the same original play, though it owes nothing but a shared title with the Vincent Price movie. Darcy also works for Joe Worth, now a bootlegger (among his customers is none other than Winton). Worth knocks Igor unconscious, leaving the sculptor to die in the fire. It and Warner's Doctor X were the last two dramatic fiction films made using the two-color Technicolor process.[5]. The title remained on the sales list, but the negative vaults held no preprint to service it. The film was remade as House of Wax (1953), starring Vincent Price and directed by Andre De Toth. Variety reported a month before production that Warner Bros. was advertising for vaudeville performers who were good at holding poses, so it was clearly intended that some of the figures would be portrayed by humans. My vote is … Audiences were enthusiastic about this version, and it did well at the box office . He falls into the giant vat of molten wax which was intended for Charlotte. And the girl from King Kong is in it? Having to choose between money (Winton) and happiness (Jim), she picks the latter. The film was remade as House of Wax (1953), starring Vincent Price and directed by Andre De Toth. House of Wax (2005 film) - Wikipedia Besides this film and Mystery of the Wax Museum , Atwill also collaborated with Curtiz on the 1935 Errol Flynn adventure film Captain Blood . A more conventional and not as absorbing remake of Mystery of the Wax Museum, 1933, made with the gimmick of 3-D (used in a fun way with novelty shots of a barker batting paddleballs in your face and a murderer jumping seemingly out at the audience). The combination of the two-color process with the lighting of Rennahan and the set designs of Grot, greatly improved quality control in printing, and an unreal atmosphere worked well for the film's story. In Washington D.C. Mystery of the Wax Museum played on WTOP's Saturday night classic film series "Cinema Club 9" in late 1972. While investigating an old tenement where Worth keeps his contraband, Florence discovers a monster connected with the museum, but cannot prove any connection with the disappearance of Joan Gale's body. In 1970 the Warner Bros. studio reference print was found by former studio head Jack Warner in his personal collection. Artist "Ivan Igor" (Lionel Atwill) is part owner of a wax museum. So it was always in the back of my mind, as it was for many of my generation who started to embrace old movies growing up. MYSTERY OF THE WAX MUSEUM was a bit of a dissapointment to most people when it finally turned up again after all the years it was lost. I saw that Jack Warner print of MYSTERY OF THE WAX MUSEUM at a midnight screening at the San Francisco Film Festival on Halloween 1970, and it was definitely NOT a "well-worn print". Now a classic, “Wax Museum” was believed to be lost for decades until an original nitrate print was located in the collection of studio mogul Jack Warner. With correct color, restored sound and digital correction of picture wear and tear, the Blu-ray garnered universally rave reviews with many commenters noting that it was as if seeing the film for the first time. [5] About half of the figures are portrayed by actors. Wax Museum Double Bill #1 Mystery of the Wax Museum (1933) More pre-code horror. Feared to be lost for many years, MYSTERY OF THE WAX MUSEUM gained a mighty reputation when film historians' memories of the movie were jogged by the 1953 3-D remake, HOUSE OF WAX. Furthermore, it served to make the name of Lionel Atwill, who had earlier appeared as a good mad scientist in Michael … They were like lithographic printing plates. Coincidence? House of Wax is nearly a scene by scene remake of Mystery of the Wax Museum, except for the fact that House of Wax focuses more on the police investigation surrounding the suspicious museum than it does the newspaper headlines in the original. I'm so glad that Scott MacQueen and a crew of skilled artists and technicians have restored this movie to something even better than the original 1933 prints. Soon after, the addition of a blue strip created three strip technicolor. Als Bonusmaterial wurde der Originalfilm Das Geheimnis des Wachsfigurenkabinetts (1933) beigefügt – allerdings nur in englischer Tonspur, wahlweise mit deutschen Untertiteln. 100% (1/1) The film stars Lionel Atwill, Fay Wray, Glenda Farrell, and Frank McHugh. Just re-watched HOUSE OF WAX, less than 24 hours after re-viewing MYSTERY OF THE WAX MUSEUM. Addeddate 2013-11-08 23:40:24.536191 Color color Ia_orig__runtime 2 minutes 5 seconds Identifier HouseOfWaxTrailer Run time 2:05 Sound sound. Adapted by Don Mullaly and Carl Erickson, the movie has a … On the contrary, it was absolutely pristine, in breathtaking color with not a scratch, line or splice from first frame to last -- only a very slight frame-stutter as the two thugs emerge from a staircase at about the 40 min. Igor tries to stop him and he and Worth get into a fight. I'm looking forward to the Blu-ray of the restoration, which Warner Archive has promised for mid-May. I was an old man of 13. Mystery of the Wax Museum is a 1933 American pre-Code mystery horror film directed by Michael Curtiz and released by Warner Bros. in two-color Technicolor. It was actually a remake of an earlier film, the 1933 Mystery of the Wax Museum. The story begins in London in 1921. When Florence reports her story to her editor, Jim, he proposes to her. Whereas the original was more of a mystery film and set in a contemporary New York City, the remake focused more on the horrorelements and took the story back to a gaslight, turn-of-the-century setting. This beautiful restoration deserves to be seen on the big screen. Upon its release, Time magazine felt it was a good mystery film but was disappointed with the abrupt ending and lack of an explaining-it-all scene. Filmed in two-toned Technicolor, the film is stunning to look at. Fortunately, an original print was discovered, according to sources, in Jack L. Warner's private vault around the late 1960s. 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