The Last Supper. Madonna and Child with Two Angels Portrait of a Man and Woman at a Casement Filippino Lippi’s Madonna and Child, an early image of enslaved people in renaissance Florence Domenico Veneziano, Saint Lucy Altarpiece Antonio Pollaiuolo, Battle of Ten Nudes or (Battle of Nude Men) Perugino, Christ Giving the Keys of the Kingdom to St. Peter Ambrogio Lorenzetti, Madonna with Angels and Saints (Maestà) The Museum of Sacred Art , organised within the museum complex of San Pietro all’Orto in Massa Marittima, houses one of the most well-known Italian paintings from the Middle Ages: the Maestà by Ambrogio Lorenzetti, one of the greatest interpreters of 14th-century Sienese painting. Dürer, Adam and Eve. Ceiling of the Sistine Chapel. Di Bondone chose and arranged his subjects carefully. Ceiling of the Sistine Chapel. Sandro Botticelli – Madonna with Child: In the centre of the piece the Virgin Mary is enthroned holding her infant Jesus. Ceiling of the Sistine Chapel. A celebration of beauty and love: Botticelli's Birth of Venus. Composition: While the Ognissanti Madonna was clearly influenced by the work of di Bondone's contemporary Byzantine devotees, the overwhelming impression of the painting is one of striking realism and utter humanity. Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso) Ceiling of the Sistine Chapel. Sandro Botticelli and studio, The Madonna and Child Enthroned With Saint John the Baptist and an Angel (circa 1510–15). The child in her arms has his eyes fixed on the viewer of the image. The surrounding figures of Madonna is glazing directly at the center figure rather than glazing aside or directly off the painting as Cimabue did on his work. This scene references Christ’s suffering and death through the cloth on which the Virgin is seated. Two angels with long feathered wings present the Virgin and Child to the viewer. Fra Filippo Lippi, Madonna and Child with two Angels. Virgin and Child Enthroned The Holy Trinity Tribute Money and Expulsion, Brancacci Chapel Expulsion of Adam and Eve from Eden in the Brancacci Chapel Fra Angelico The Annunciation and Life of the Virgin (c. 1426) The Annunciation (c. 1438-47) Paolo Uccello, Battle of San Romano Fra Filippo Lippi Madonna and Child with Two Angels The painting is also known as Madonna and Child with Angels and St Jerome but earned the name Madonna with the Long Neck because of the curious length of the Madonna's swan-like neck. Madonna and Child with Angels by Tommaso di Giovanni Masaccio London Gallery owns the central part of the polyptych Madonna with Child and four angels, ordered by Masaccio in 1426 for the chapel in the church of Santa Maria del... Madonna and Child (sculpture) by Michelangelo Buonarroti Sculpture by Michelangelo “Madonna and Child”. Fra Filippo Lippi, Madonna and Child with two Angels. Dürer, Adam and Eve. Courtesy of Sotheby’s New York. A celebration of beauty and love: Botticelli's Birth of Venus. Courtesy of Sotheby’s New York. This is the currently selected item. The Last Supper. Also, Giotto treated the figure like light hitting sculptures. For many years The Virgin and Child with an Angel was prized as Francesco Francia’s earliest known dated painting (faintly signed and dated 1490) and for representing, in the chalice held by the angel, the only known example of the type of object Francia may have produced during his presumed earlier career as a goldsmith. Madonna with the Long Neck is typical of Parmigianino's later work, which was defined by unusual spatial compositions and elongated figures. The angels in the painting seems to be lined behind one to another showing that Giotto had more understanding of perception. The Last Supper. Incidentally Jesus plays with the delicate veil of his mother. 4. Her gaze wanders, from the spectator’s point of view, to the right into blankness. 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