the rape of lucretia

The king and his sons were sent into exile, and a new Rome was born. She received Sextus graciously with all the hospitality expected to be given to the son of the king. Tarquinius bietet all seine Verführungskünste auf, um Lucretia zu beeindrucken, erzielt aber keine Fortschritte. This production opened on tour to great acclaim. The two choruses describe their own role as Christian interpreters of the pagan story about to begin. Placing his sword against her, Sextus woke Lucretia with a low voice and declared his love for her. Am folgenden Tag erzählt Lucretia ihrem heimkehrenden Gemahl von den Geschehnissen. The Rape of Lucretia. 37) is an opera in two acts by Benjamin Britten, written for Kathleen Ferrier, who performed the title role. Ronald Duncan based his English libretto on André Obey's play Le Viol de Lucrèce [fr]. Weniger anzeigen. She resisted until he threateded to kill both her and a slave, and make it seem that she had been killed when caught in an act of audultery. And with all the alacrity of thought he crosses the unlit gallery. Für Brittens Kammeroper »The Rape of Lucretia« (Die Schändung der Lukretia) schufen Studierende des Fachgebiets Bühnen- und Kostümbild der weißensee kunsthochschule berlin im Rahmen der Reihe »Musiktheaterwerkstatt« der Hochschule für Musik »Hanns Eisler« (HfM) das Bühnen- und Kostümbild. Lucretia begeht Selbstmord. Juni 2021 statt. While following the original story of the Rape … When Tarquinius desires, then Tarquinius will dare. Nicht selten tendierten seine Werke zu einer kleineren Besetzung – so auch seine 1946 entstandene Oper The Rape of Lucretia, die mit zwölf Orchestermusikern wie geschaffen ist für die Kammerspiele des Tiroler Landestheaters im Haus der Musik Innsbruck. Trotz der reduzierten Mittel (wenige Darsteller und ein dreizehnköpfiges Instrumentalensemble) besticht das Werk durch die bühnenwirksame Dramatik und hohe … She stabs herself and dies. Benjamin Britten composed The Rape of Lucretia in 1946 after a radio-drama by André Obey. Unter einem Vorwand verschafft er sich Zugang zu Lucretias Haus. The Rape of Lucretia (Deutscher Titel: „Die Schändung der Lucretia“) ist eine Oper in zwei Akten von Benjamin Britten. The Rape of Lucretia, Britten’s first chamber opera, was written in 1946 as a continent began recovering from war, the costumes in the first production sourced by using clothing coupons.To the deeply pacifist composer, the theme of religion justifying wartime acts of conflict and violence was timely. In an armed camp outside Rome, Tarquinius, Collatinus and Junius are drinking together. Bianca tries to stop the messenger, but Collatinus arrives at once (accompanied by Junius). Daraufhin vergewaltigt er sie. The first project of this new creative troupe was “The Rape of Lucretia”. Nach The Turn of the Screw gelangt mit der 1946 uraufgeführten Oper The Rape of Lucretia ein weiteres Kammerwerk aus der Feder des Engländers auf die Kasseler Opernbühne, das Reminiszenzen an den Frühbarock erkennen lässt – vor allem an Brittens großes Vorbild, seinen Landsmann Henry Purcell. Ronald Duncan based his English libretto on André Obey's play Le Viol de Lucrèce [fr]. This poem, “helped establish Shakespeare’s seriousness as a poet” (Maus, 1986, pg.66). Britten considered the ancient tale of the Roman Lucretia, a faithful and loving wife who is raped by the unscrupulous Tarquinius and commits suicide as a result, to be an apt subject for traumatised post-war audiences. Der Frauenverächter Tarquinius glaubt nicht an ihre Standhaftigkeit und will sie auf die Probe stellen. Februar 2020 um 23:40 Uhr bearbeitet. The opera debuted in the United States on Broadway at the Ziegfeld Theatre in a production staged by Agnes de Mille which opened on 29 December 1948 and closed on 15 January 1949 after 23 performances. The following morning, Lucia and Bianca are glad to discover that Tarquinius has already left the house. But the Male Chorus tells her that all pain is given meaning, and all sin redeemed, in the suffering of Christ. Die ursprünglich für den 20. Running from the grand operatic machine, their inspiration drove them to a more intimate construction, the chamber opera. Rather than leave this legacy of dishonor for her husband, she relented. The Female Chorus is left in despair at the moral emptiness of this story. Late at night, the prince entered Lucretia's room, and attempted to rape her. Where a bust of Collatinus stares at him … It also appeared in the Opera Company of Philadelphia's 2009 season. According to tradition, she was the beautiful and virtuous wife of the nobleman Lucius Tarquinius Collatinus. The shadows of the night conspire to blind his conscience and assist desire. Sprache In englischer Sprache mit deutschen Übertiteln Opernhaus. One of the most prominent uses of the Rape of Lucretia for art is in Shakespeare’s Rape of Lucrece narrative poem. Panther agile and panther virile, the Prince steals through the silent hall. The Rape of Lucretia (Op. [1] It is the first work to which Britten applied his term "chamber opera." Everyone will say that you were killed during a dishonorable act of adultery.” With this final threat, Sextus succeeded. The Rape of Lucretia (Op. Sextus waited until everyone in the house was asleep and, sword in hand, went to her bedroom. Collatinus versucht auf sie einzugehen, aber er kann in seiner Frau das Gefühl der Schande nicht austilgen. Oper in zwei Akten Libretto von Ronald Frederick Henry Duncan nach André Obey In englischer Sprache mit deutschen Übertiteln . Wählen Sie aus erstklassigen Inhalten zum Thema Rape Of Lucretia in höchster Qualität. Stan was also recently heard in the role of Tarquinius (Rape of Lucretia)with Utopia Opera of Manhattan, El Dancairo (Carmen) with State Repertory Opera of New Jersey, Betto (Gianni Schicchi) with Raylynmor Opera of New Hampshire, and Ping (Turandot) with Metro Chamber Orchestra of New York. [2] In 2013, the opera was performed for the first time by Glyndebourne since its premiere, directed by actress Fiona Shaw. She sends a messenger asking Collatinus to come home. In 1996 the opera was presented at the Opera Theatre of St. Louis directed by Britten expert and friend, Colin Graham. The rape of the exemplary woman Lucretia by the king's son led to the overthrow of the monarchy and the establishment of the Republic. PREMIERE 20. The Rape of Lucretia Benjamin Britten ⇒ In einem dichten Spielplan, wie wir ihn normalerweise anbieten, können verlorene Monate nicht aufgeholt werden. The story of Lucretia's rape is the subject of William Shakespeare's narrative poem The Rape of Lucrece, a work as long as many full-length plays, taking about two hours to recite.It has sometimes been performed as readers' theatre.Shakespeare alludes to Tarquin in his plays as well. Das Werk war Brittens erste Kammeroper, ein Genre, dem … The legendary rape of Roman noblewoman Lucretia by Tarquin, king of Rome, and her subsequent suicide are credited as inspiring the revolt against the Tarquin family by Lucius Junius Brutus which led to the founding of the Roman Republic. Mehr anzeigen. Junius, whose wife was among the faithless majority, goads young Tarquinius, the king's son, into testing Lucretia's chastity himself. All mourn. There is, however, no loss of colour and atmosphere – indeed the pared-down textures produced an intensification of Britten’s operatic vision which was to serve him further in Albert Herring and The Turn of the Screw. Das Motiv der Vergewaltigung der Lucretia ist in der Bildenden Kunst vielmals verarbeitet worden, u. a. von Tizian in dem Gemälde Tarquinius und Lucretia. Jean Rigby is a very affecting Lucretia (a world away from her playful Nancy in "Albert Herring"), Alan Opie as Junius sets the plot in motion with his challenge to Tarquinius (Russell Smythe), and Richard van Allen is dignified and moving in his reaction to what has happened to his wife. After begging, threatening and exhausting every method of seducing Lucretia, who would rather die than submit to him, Sextus finally said, “when I have killed you, I will put next to you the body of a nude slave. Hinweis: Premierenverschiebung! His first work in the new medium was The Rape of Lucretia, first performed just over a year after Peter Grimes, in 1946. Therefore, Lucretia was a … Benjamin Britten legte mit dem Werk The Rape of Lucretia seine erste Kammeroper vor, bei deren Instrumentierung er sich auf dreizehn Musiker beschränkte. The Rape of Lucretia (Deutscher Titel: „Die Schändung der Lucretia“) ist eine Oper in zwei Akten von Benjamin Britten. Die große Passacaglia des Schlussbildes schuf Britten als Reverenz an Henry Purcell. A few days later, Sextus went back to Collatia and to... Lucretia while her husband was at the military camp in Ardea. She longs for her absent husband. The two end the opera with a prayer. Though fearful, they cannot refuse to offer the prince hospitality. 37) is an opera in two acts by Benjamin Britten, written for Kathleen Ferrier, who performed the title role. However, they respected her decision since it provides ground for Roman matronly values. Lucretia enters, calm but obviously devastated. After he raped Lucretia, … Throughout the opera the Male Chorus will narrate the thoughts of the male characters, and the Female Chorus those of the female characters. Britten zitiert in seinem viel gespielten Werk die Musik des Frühbarocks und erweist dem großen Henry Purcell seine Referenz. Oper in zwei Akten von Benjamin Britten. Music by Benjamin Britten, libretto by Ronald Duncan, after the play "Le vol de Lucrèce" by André Obey. Das Libretto stammt von Ronald Duncan nach einem Schauspiel von André Obey. Full of desire, he woke Lucretia with his sword against her, threatening to kill her if she uttered a sound. As Lucretia sleeps, Tarquinius creeps into her bedroom and awakens her with a kiss. Andrew Clements, "Small wonder: Andrew Clements explains the origins of Britten's controversial opera", Information from the Britten Pears Foundation, The Young Person's Guide to the Orchestra, Diversions for Piano Left Hand and Orchestra, Benjamin Britten: A Life in the Twentieth Century, https://en.wikipedia.org/w/index.php?title=The_Rape_of_Lucretia&oldid=1010218162, Cultural depictions of Lucius Tarquinius Superbus, Short description is different from Wikidata, Wikipedia articles with MusicBrainz work identifiers, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 4 March 2021, at 11:15. The Rape of Lucretia is not only significant in the retelling of Roman history but has also appeared in numerous works of art and writings centuries after the fall of the Roman Monarchy. According to Roman tradition, Lucretia, anglicized as Lucrece, was a noblewoman in ancient Rome, whose rape by Sextus Tarquinius and subsequent suicide precipitated a rebellion that overthrew the Roman monarchy and led to the transition of Roman government from a kingdom to a republic. He comforts his wife lovingly, but she feels that she will never be clean again. The cast notably included Giorgio Tozzi as Tarquinius, Kitty Carlisle as Lucretia, Lidija Franklin as Bianca, Brenda Lewis as the Female Chorus, and Adelaide Bishop as Lucia. Britten and his librettist, two convinced pacifists involved way before WWII, address a European society bruised by war and hate. The Male and Female Choruses explain the situation in Rome: ruled by the foreigner Tarquinius Superbus and fighting off a Greek invasion, the city has sunk into depravity. The Rape of Lucretia. The impulsive prince calls for his horse and gallops off to the city alone. Inszenierung von Fiona Shaw Deutsche Oper Berlin 2014. 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